Sometimes I would write sheet music out for him, sometimes I would sing things for him to play, and sometimes I would just let him play. The way we collaborated was different on every song. Henry played on half the songs on the record. Changephobia is less so-it has its frenetic, freakout moments, but it is soothing, a warm record that opens you up to the possibility that change is good.įor his GQ playlist, Rostam talked to us about the influences on Changephobia, the loudness wars of the late 2000s, and being too young to appreciate John Coltrane. “Every song at some point, I have to say that something needs to be chilled out.” Rostam is, indeed, exceedingly chill. “Anyone who knows me knows that I’m obsessed with not having harsh recordings,” he says. There are a few Rostam rules of thumb when it comes to making music. III, which was recently nominated for Album of the Year at the Grammys. He worked on the album at the same time as Haim’s Women in Music Pt. It’s a sax-heavy collection of songs that touch on everything from romance to climate change. He’s also released brilliant solo albums-his second, Changephobia, dropped last week. Look back at the best music of the last decade, and you’ll see Rostam Batmanglij’s fingerprints everywhere as a member of Vampire Weekend and a producer, songwriter and general vibes contributor for Frank Ocean, Haim, Carly Rae Jepsen and Solange, among others.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |